Thousands of artists are urging the auction house Christie’s to cancel a sale of art created with artificial intelligence, claiming the technology behind the works is committing “mass theft”.
The Augmented Intelligence auction has been described by Christie’s as the first AI-dedicated sale by a major auctioneer and features 20 lots with prices ranging from $10,000 to $250,000 for works by artists including Refik Anadol and the late AI art pioneer Harold Cohen.
And that’s not precisely the same for AI… why? Why are the limited choices in photography significant, personal, and meaningful, but not the limited choices people make when generating pictures?
Yes. Because the majority of stuff that’s generated by people without much intentionality, by amateurs, or both – but so are most photographs, they just don’t ever even get analysed in the context of being art or not because their purpose is to be external memory, not art. And arguably most AI generated stuff should not get analysed in the context of being art.
But that doesn’t mean that you can’t control lightning, or that someone who does have a sufficiently deep understanding both of the medium of pictures in general, as well as the tool that is AI, would not, at some point, look at what’s on the screen and ask themselves “Do I want different lightning”. Maybe you do, Maybe you don’t. Like, there’s a reason there’s standard lightning setups, not every work has to be intentional about that particular aspect.
And maybe you want different lighting but the model you use doesn’t provide that kind of flexibility – when you say “still life” it insists on three-point lighting because it thinks one implies the other just as “mug” implies “handle”. You can then go ahead and teach it about different lighting setups, “this is an example of backlight, this of frontlight, this is three-point”, and, with some skill and effort, voila, now “still life with backlighting” works. There absolutely is intent in that. Speaking of models that can do that, here’s usage instructions for one that does.
Hey, thank you so much for your contribution to this discussion. You presented me a really challenging thought and I have appreciated grappling with it for a few days. I think you’ve really shifted some bits of my perspective, and I think I understand now.
I think there’s an ambiguity in my initial post here, and I wanted to check which of the following is the thing you read from it:
Both are in there, and neither of those are wrong. Generative AI does have serious limitations when it comes to detail control, and it’s also used a lot by people (not necessarily executives) who don’t respect or understand art – even to create things that they then consider art.
The thing is that we’ve had the same discussion back when photography became a thing. Ultimately what it did was free the art of painting from the shackles of having to do portraits.
One additional thing is that I recommend extremely against trying to try and develop art skills by generating AI. Buy pencil and paper, buy a graphics tablet, open Krita or Blender, go through a couple of tutorials for a few days you’ll have learned more about what you need to know to judge AI output than what hitting generate could teach you in a year. How do I know that the eyes in that AI painting have an off-kilter perspective? Because, for the life of me, I can’t draw them straight either, but put enough hours into drawing to look at both the big picture and minute detail. One of the reasons I switched to sculpting.
You make a compelling and very interesting point here. I’m still l considering it, because it’s provoked a lot of thought for me. Once I feel like I can definitely make an argument against or in favor of your point, I’ll get back to you.
Well done, I love intelligent discussions like this so much, I really missed them when my online communities started decaying. The pursuit of truth is so much fun!