It is my constant hope that my local Alamo will bring this back someday and I’ll be able to watch (and more importantly hear) this in an actual theater. As you pointed out, the sound engineering in this is almost more important than the visuals for conveying the intensity here, and I have to imagine that it is simply concussive with the aid of professional sound equipment.
I don’t know if any specific blogs that still operate in that sort of space, but I will say I’ve had luck with finding folks on letterboxd who put care and thought into their reviews. Admittedly, you still have to sort through a lot of "this was good! I liked it!"to find those reviewers, but it’s not impossible. My starting spot was looking up the hosts of some of the movie podcasts I listen to (shout out to Blank Check and Eye of the Duck) and then seeing who they interact with on the platform, checking those folks out, and so on.